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2022 Entries, Eurovision 2022, ReviewsLeave a comment

France: Alvan & Ahez – Fulenn Review

March 6, 2022June 6, 2022 Callum Rowe

Fulenn loses itself in different sounds on its quest to give musical identity to the Breton language Continue reading France: Alvan & Ahez – Fulenn Review

2022 Entries, Eurovision 2022, Reviews1 Comment

Netherlands: S10 – De Diepte Review

March 3, 2022June 6, 2022 Callum Rowe

De Diepte has the ability to connect to human emotions and plays on this strength Continue reading Netherlands: S10 – De Diepte Review

2022 Entries, Eurovision 2022, Reviews2 Comments

Finland: The Rasmus – Jezebel Review

March 1, 2022June 6, 2022 Callum Rowe

Jezebel carries a perfect balance of rock and pop to ensure naysayers of one genre aren’t segregated from the enjoyment Continue reading Finland: The Rasmus – Jezebel Review

2022 Entries, Eurovision 2022, Reviews1 Comment

Poland: Ochman – River Review

February 28, 2022June 6, 2022 Callum Rowe

The arrangement of River carries contradictions that make it a frustrating but memorable listen Continue reading Poland: Ochman – River Review

2022 Entries, Eurovision 2022, Reviews1 Comment

Croatia: Mia Dimšić – Guilty Pleasure Review

February 28, 2022June 6, 2022 Callum Rowe

Guilty Pleasure won’t trouble the charts and likely won’t have much impact at Eurovision Continue reading Croatia: Mia Dimšić – Guilty Pleasure Review

2022 Entries, Eurovision 2022, ReviewsLeave a comment

Ukraine: Kalush Orchestra – Stefania Review

February 22, 2022June 6, 2022 Callum Rowe

Stefania flying the Ukrainian national flag on the world stage is an emotionally powerful statement of sovereignty and pride Continue reading Ukraine: Kalush Orchestra – Stefania Review

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About The Contest was founded in 2022 with the aim of providing expert analysis, reviews, opinions and features about the Eurovision Song Contest and its associated music

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