Czechia: Aiko – Pedestal Review
Aiko is a woman operating at the peak of her self-confessed petty creativity, embracing her ass-shaking youth. We’re just the witnesses. Continue reading Czechia: Aiko – Pedestal Review
Aiko is a woman operating at the peak of her self-confessed petty creativity, embracing her ass-shaking youth. We’re just the witnesses. Continue reading Czechia: Aiko – Pedestal Review
Callum Rowe explains why having a permanent identity is key for the growth of the Eurovision Song Contest. Continue reading United By Music: Brand Eurovision trumps individuality
Mon Amour is the cry of a straining heart on the verge of a break. Continue reading France: Slimane – Mon Amour Review
We should accept autotune as an inevitable part of Eurovision’s future. Continue reading Eurovision will introduce autotune… probably
The BBC’s partnership with TAP Music is over. Where does that leave the UK after two contrasting results in the Eurovision Song Contest? Continue reading Is the BBC back to square one at Eurovision?
Following the success of her first-ever UK top 10 single, Mae Muller has released a synthalicious single that fires summer into life. Continue reading Single: Mae Muller – Me, Myself & I Review